Stop practising like a martyr and start practising like someone who expects real progress for their time.
Progress comes more from how you use the time than from hitting some magical number. For most non-beginners with real-life responsibilities, 30–60 focused minutes a day, 4–6 days a week, will move you forward steadily if it’s structured and honest. If you can only do 15–20 minutes, you can still grow fast by trimming everything except one or two high-impact tasks. What matters: you show up often, you know exactly what you’re working on when you sit down, you’re mentally present (not half on your phone), and you keep nudging the difficulty just past comfortable. Two hours of fuzzy noodling won’t beat 30 minutes of targeted, ears-on work.
Structure actually protects your love for playing by taking the decision-fatigue and guilt out of it. When you have a clear plan, you don’t spend half your ‘creative time’ wondering what to do or beating yourself up for not improving. The trick is to schedule both: some time where you’re deliberately working skills and some time that’s explicitly for messing around, exploring sounds, improvising, or writing without pressure. If you build small pockets of freedom into a mostly structured routine, you end up feeling freer, not boxed in — because you trust that the craft is being handled and you’re allowed to enjoy yourself too.
You’ll know it’s working when you can point to something that is easier, cleaner, or more reliable than it was a month ago — not just ‘I feel better’. That means choosing a few concrete things to watch: a passage you can now play at a higher tempo, notes you can now hit without strain, fewer crashes in a tricky transition, or being able to get through a song on one take. Recording yourself regularly and keeping a simple log are huge here, because your memory will lie to you both ways. If nothing measurable is changing over a few weeks, that’s not a personal failure — it’s a signal to adjust the plan: slow it down, isolate smaller parts, get feedback, or change what you’re focusing on. Practice isn’t sacred; it’s an experiment you keep tweaking.