Composite Photorealistically

Composite Photorealistically in Adobe Photoshop — with two ready prompts: the immediate one, and the one that makes it stick. 1 real situation leads here.

2prompt heights
1situation
1role does it
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The moments that lead here

If one of these is your afternoon, you are in the right place.

Blend a headshot onto a new editorial background and make the lighting look like one photograph.

2 ready prompts

Written for the moment this actually comes up.

Execute — do the immediate task

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Blend the client's headshot onto the chosen editorial background, match the lighting and color so…
Blend the client's headshot onto the chosen editorial background, match the lighting and color so it reads as a single photograph, and save the composite with separate adjustment layers for review.

Improve — make it easier to accept

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Reduce doubts from the photo editor by presenting a composite with annotated light sources and the…
Reduce doubts from the photo editor by presenting a composite with annotated light sources and the specific adjustments used: supply the blended image plus a version that overlays the original headshot and background, list dodge/burn and color-match steps, and offer a quick alternative with cooler and warmer light for selection.

Who does this, and with what

The same task is different work inside a different job.

Desktop PublisherAdobe Photoshopalso: Blend Headshot To Backgroundalso: Match Lighting And Tone

Next to this one

Other composite work people do in Adobe Photoshop.

Every task here came from the work, not from a feature list — which is why the prompts name what you want done and never the button that does it. The tool changes; the work does not.
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The rest of the map

Same library, five ways in.