The moments that lead here
If one of these is your afternoon, you are in the right place.
I must place a prop photo onto a greenscreen plate for tomorrow's previs and I'm nervous about seams showing in the close shot
1 ready prompt
Written for the moment this actually comes up.
Decide — diagnose the stuck moment
+VFX needs this prop on the greenscreen plate by [deadline=morning] so they can track it into the…
Decide — diagnose the stuck moment
+VFX needs this prop on the greenscreen plate by [deadline=morning] so they can track it into the scene. The prop photo has different perspective and grain than the plate. I'm new to compositing complex plate work and worry the seam will read in the previs. Tell me whether to match perspective or grain first, the quick steps to hide the seam for editorial previs, and the one thing I should not do that will break tracking later.
Pasted it? When the reply comes back, push once: ask it to sharpen the weakest part. — Did this prompt help?
Who does this, and with what
The same task is different work inside a different job.
Film / Video EditorAdobe Photoshop
Next to this one
Other composite work people do in Adobe Photoshop.
Every task here came from the work, not from a feature list — which is why the prompts name what you want done and never the button that does it. The tool changes; the work does not.
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