The moments that lead here
If one of these is your afternoon, you are in the right place.
I have an afternoon slot and the buyer expects the hero sweater on pure white by 5pm; the mannequin was shot on our shop floor with a pile of crates behind it and I can't tell if automatic masking will leave a halo around the knit. Tell me whether to batch this through the auto select or which parts I must cut by hand, what order to remove the floor clutter and clean the garment edge, and one clear line I won't cross so it still reads like the product, not a collage.
1 ready prompt
Written for the moment this actually comes up.
Decide — diagnose the stuck moment
+I shot a grey merino sweater on a mannequin in-store and I need the image on pure white for the…
Decide — diagnose the stuck moment
+I shot a grey merino sweater on a mannequin in-store and I need the image on pure white for the online hero tile by [deadline=5pm]. The background has crates and mannequins' stands; the sweater edge has loose fibers and the stand casts a thin shadow. Diagnose whether an automatic select-and-mask pass will be safe across the torso and sleeves, or where I must switch to a manual pen path. Recommend the exact sequence: remove stand, then deep-clean edges, then recreate a subtle ground shadow. Flag the danger spots that create halos or chopped fibers and give one firm rule I won't break (for example: don't over-sharpen fiber edges; preserve 2–3 pixels of natural fuzz).
Pasted it? When the reply comes back, push once: ask it to sharpen the weakest part. — Did this prompt help?
Who does this, and with what
The same task is different work inside a different job.
Visual MerchandiserAdobe Photoshop
Next to this one
Other cut-out work people do in Adobe Photoshop.
Every task here came from the work, not from a feature list — which is why the prompts name what you want done and never the button that does it. The tool changes; the work does not.
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