The moments that lead here
If one of these is your afternoon, you are in the right place.
I have a page of ink sketches and a deadline: the gallery wants a production mockup for Monday and marketing needs a reusable poster template they can edit. I'm new to preparing files for print and fear I’ll hand over something that blows up or looks amateur on the wall. Tell me whether to vector-trace or clean in pixels, which parts must be fixed before templating, and the single step I must not skip before I hand this to the framer.
1 ready prompt
Written for the moment this actually comes up.
Decide — diagnose the stuck moment
+I drew a series of ink sketches on textured paper and need one cleaned into a crisp composition for…
Decide — diagnose the stuck moment
+I drew a series of ink sketches on textured paper and need one cleaned into a crisp composition for a 24x36 print and a matching social tile. The gallery wants a template they can reuse with new show titles. I’m unsure whether to trace the lines into vectors or to clean and flatten in high-res pixels. I’m worried about losing the hand-drawn quality while making it production-safe and about bleed/trim for the printer. Diagnose which route—vector or raster—fits this sketch and why, list the three things that will break a print (resolution, bleed, stray marks) and the exact file I should hand to the gallery (color mode, profile, resolution, and whether to include editable text layers). Keep a firm line: do not simplify the artist’s line to a mechanical stroke.
Pasted it? When the reply comes back, push once: ask it to sharpen the weakest part. — Did this prompt help?
Who does this, and with what
The same task is different work inside a different job.
Craft / Fine ArtistAdobe Photoshop
Next to this one
Other create work people do in Adobe Photoshop.
Every task here came from the work, not from a feature list — which is why the prompts name what you want done and never the button that does it. The tool changes; the work does not.
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