The moments that lead here
If one of these is your afternoon, you are in the right place.
Take the subject off its busy shelf and place it on a consistent branded background for the product grid.
2 ready prompts
Written for the moment this actually comes up.
Execute — do the immediate task
+Remove the subject from the busy shelf and place it on the campaign's branded background, match…
Execute — do the immediate task
+Remove the subject from the busy shelf and place it on the campaign's branded background, match color and lighting, add a realistic contact shadow, and save the composite as a layered PSD and flattened JPEG for the grid.
Pasted it? When the reply comes back, push once: ask it to sharpen the weakest part. — Did this prompt help?
Improve — make it easier to accept
+Make the composite immediately acceptable to the creative director: match the subject's color…
Improve — make it easier to accept
+Make the composite immediately acceptable to the creative director: match the subject's color temperature and shadow direction to the brand background, soften the shadow contact edge to match the studio source, verify scale against a supplied reference object, and include the PSD with layers named for review.
Pasted it? When the reply comes back, push once: ask it to sharpen the weakest part. — Did this prompt help?
Who does this, and with what
The same task is different work inside a different job.
Product PhotographerAdobe PhotoshopAdobe Illustratoralso: Place On Branded Backdrop
Next to this one
Other composite work people do in Adobe Photoshop.
Every task here came from the work, not from a feature list — which is why the prompts name what you want done and never the button that does it. The tool changes; the work does not.
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The rest of the map
Same library, five ways in.