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We keep layering dramatic skies in late-stage comps and they look theatrical rather than cohesive in the final set.
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Become — change the pattern
+We've been adding mood skies late in production and the result often reads inconsistent across…
Become — change the pattern
+We've been adding mood skies late in production and the result often reads inconsistent across formats. Explain the recurring mistake that makes those skies feel pasted on, and give me one pre-production habit and one compositing check to make when replacing skies so the final set feels unified and credible across print and digital.
Pasted it? When the reply comes back, push once: ask it to sharpen the weakest part. — Did this prompt help?
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