I've spent 20 hours this quarter correcting junior composites for brand and legal slipups. Identify the recurring fail…
Automate repetitive tasks in Photoshop by recording a series of steps and applying them to multiple files.
Select Window > Actions to open the Actions panel.
Select New Action from the Actions panel menu.
Enter a name for your action and click Record.
Perform the commands and operations you want to automate.
NoteTo run multiple actions in one click, include them in a parent action.
Click the Stop button in the Actions panel when finished recording.
Select File > Automate > Batch.
Choose the Set and Action from the dropdown menus.
Select your source folder from the Source dropdown.
Best practiceOrganize your source and destination folders before starting for an easy workflow.
Choose your destination folder from the Destination dropdown.
Click OK to start the batch process.
For simple conversions or resizing, use File > Scripts > Image Processor, which can also apply an action.
Yes, Photoshop actions can be integrated into more complex automation workflows using scripting languages like JavaScript.
Open the episode file in Photoshop, then use Adjustment Layers like Color Balance or Curves to fine-tune the colors. These layers let you make quick, reversible changes that help match a desired mood.
Adjustment layers are best when you want to experiment freely or need to make different mood options. They let you tweak colors without permanently changing the original image and are ideal for last-minute grading.
A common mistake is overdoing saturation or contrast, which can make the image look unnatural. Use subtle adjustments and compare with the original to keep the mood consistent.
A colorist or post-production assistant often performs last-minute color grading to match the mood and branding for a single episode before delivery.
Photoshop can handle color adjustments and matching palettes well, but it’s limited for complex grading. For advanced color grading, dedicated software like DaVinci Resolve is better.
Use the same color reference images or look-up tables (LUTs) if available, and compare your adjustments with the original brand palette to keep the mood aligned.
Create duplicate layers and apply different adjustment layers to each. Toggle their visibility to compare options side-by-side, helping you pick the best mood for the episode.