We're launching a large seasonal campaign and I want a modular, data-driven template system for ads so product teams c…
Smart Objects preserve an image's source content with all its original characteristics, enabling non-destructive editing.
Select one or more layers in the Layers panel.
Choose Layer > Smart Objects > Convert to Smart Object.
NoteThis embeds the selected layers into a new Smart Object.
Alternatively, right-click the selected layer(s) and choose Convert to Smart Object.
To place a new file as a Smart Object, choose File > Place Embedded.
Select the desired file and click Place.
To edit a Smart Object, double-click its thumbnail in the Layers panel.
NoteThis opens the Smart Object's content in a new window.
Make your desired edits to the content in the new window.
Choose File > Save to apply changes to the Smart Object.
Best practiceUsing Smart Objects from the start saves edits and time by preserving original image data.
Close the Smart Object window to return to your main document.
Smart Objects allow you to apply transformations, filters, and other edits non-destructively, always preserving the original image data.
Photoshop's scripting capabilities can automate the creation and placement of Smart Objects, especially for templated workflows.
Use the Clone Stamp or Healing Brush tools to carefully paint over the person. Focus on matching textures and colors from surrounding areas. This helps make the walk-through less noticeable.
Remember, a small, refined touch works better than overdoing it, which can create unnatural patches.
It's best to do this after you've done basic color correction and sharpening. Fixing the walk-through obstruction last ensures you match the final look. For example, after adjusting exposure, then clone out the person.
Zoom in closely and match patterns, textures, and shadows carefully. Use the Healing Brush to blend edges smoothly. For instance, when removing a person from a sky, clone from nearby clouds or trees.
Over-cloning or using a too-large brush can create unnatural patches. Always work with small, soft strokes and sample from nearby areas. This keeps the patch smooth.
A portrait retoucher or commercial photographer might remove a passing person from a product shot or a set photo to focus on the main subject.
They do this after shooting to clean up the scene when reshooting isn't possible.
AI tools can automate parts of this, like Content-Aware Fill in Photoshop, but they may not be perfect. Manual touch-up often yields more natural results, especially in complex backgrounds.
It's related because both involve retouching to improve the overall look. Cleaning behind a subject removes distracting elements, while removing walk-through obstruction clears the main scene.