◆ Photoshop · cut out

Separate Foreground Subject

Place the rescued interview subject onto a cleaner background, match lighting and add a realistic shadow so the compos…

2heights
2tasks
1roles do it

The same job, four heights

do it · improve it · decide · become
AExecute — “help me do it”Place the rescued interview subject onto a cleaner background, match lighting and add a…+
Place the rescued interview subject onto a cleaner background, match lighting and add a realistic shadow so the composite reads natural under the caption and byline block.
when the reply comes backPush once: ask it to sharpen the weakest part, and to say what it assumed.
BImprove — “do it better”Make the composite editor-ready: place the subject on a cleaner newsroom-appropriate…+
Make the composite editor-ready: place the subject on a cleaner newsroom-appropriate background, match color temperature and contrast, paint a realistic contact shadow and ambient light wrap, and supply a PSD with layers plus a flattened proof showing the caption area clear.
when the reply comes backPush once: ask it to sharpen the weakest part, and to say what it assumed.

The real tasks

1 of them
Place the rescued interview subject onto a cleaner background so the caption and byline block read clearly.

Who does this

1 roles
Photojournalist

Questions people ask

honest answers

Because you rarely think 'I want the redaction tool'. You think 'I have to share this without leaking the client's details'. Start from the need, and the feature finds you.

Real. Every job here was drawn from what people in real roles were actually seen doing in Photoshop — not a feature checklist.

No. Each page gives you a ready prompt you can paste into an AI assistant, plus the plain steps to do it yourself. Start with either — the goal is the finished job, not the tool.