◆ Photoshop · retouch

Standardize VFX Prep

I keep getting elements back from editorial that break VFX when compositors start tracking. Looking at the last [N=12]…

1height
1tasks
1roles do it

The same job, four heights

do it · improve it · decide · become
DBecome — “help me grow”I keep getting elements back from editorial that break VFX when compositors start tracking.…+
I keep getting elements back from editorial that break VFX when compositors start tracking. Looking at the last [N=12] comps, where do we introduce errors — mismatched grain, wrong perspective, or improper plate naming — and recommend one practical prep rule and the export settings I should enforce so editorial composites are VFX-ready the first time.
when the reply comes backPush once: ask it to sharpen the weakest part, and to say what it assumed.

The real tasks

1 of them
I want to standardize how we prep elements for VFX so editorial composites never force rework

Who does this

1 roles
Film / Video Editor

Questions people ask

honest answers

Because you rarely think 'I want the redaction tool'. You think 'I have to share this without leaking the client's details'. Start from the need, and the feature finds you.

Real. Every job here was drawn from what people in real roles were actually seen doing in Photoshop — not a feature checklist.

No. Each page gives you a ready prompt you can paste into an AI assistant, plus the plain steps to do it yourself. Start with either — the goal is the finished job, not the tool.