20 tasks, each one witnessed by the sources that watched the job — and behind every one, a prompt you can use tonight.
You start by reviewing the source audio or transcript, usually in Microsoft Word or a subtitle tool, to spot timing and cultural issues. Then you rewrite lines so they fit actors’ mouth movements, preserve tone, and match time codes.
Afternoons often mean checking terminology in Excel glossaries, running lines with the director or ADR (automated dialogue replacement) team, and making final edits in Word or an HTML script for delivery.
Learn Microsoft Word and Excel first — adapters use them every day for scripts and terminology lists. Outlook is used for communication and PowerPoint for presentations or style notes.
After that, focus on Adapt It for alignment and AceTools.biz or Ace Translator for quick reference. Knowing basic HTML helps when scripts must be delivered as web-ready files.
Use AI for fast draft translations or to compile terminology, but always proofread and edit every line yourself — AI makes timing and cultural mistakes. Keep confidential material private and follow any client confidentiality code.
Treat AI output as raw material: check meaning, tone, and lip sync against the original audio, then adjust in Word or Adapt It before sharing.
The U.S. Bureau of Labor Statistics lists related translators and interpreters with a 2025 median pay of $60,170 per year. There were 52,060 employed, with the lowest tenth at $37,070 and the top tenth at $103,660. (Source: BLS 2025.)
Pay varies by freelance vs. staff, language demand, and experience with technical scripts or ADR projects.
Practice rewriting dialogue to match time and mouth movements: take short clips, transcribe in Word, then adapt lines to the same timing. Build a bilingual Excel glossary of names and repeated terms.
Learn Adapt It for alignment, basic HTML for delivery, and get comfortable proofreading and researching cultural references. Volunteer on small projects or assist a studio to get real ADR experience.
Adapters rewrite dialogue so actors can speak lines naturally and match lip movement; subtitle translators compress meaning into short written lines for reading. Interpreters convey speech live or consecutively without timing for lips.
Adapters also work with ADR teams and care about timing, tone, and mouth shape; they use Word, Adapt It, and timing tools more than subtitle-only software.
Both matter, but if you must choose one, strong bilingual fluency (speaking, reading, writing) is primary; you must preserve meaning and tone. The job requires fluent work in at least two languages.
Timing and lip-sync sense come next and you build those with practice and tools like Adapt It and time-coded scripts in Word or HTML.