16 tasks, each one witnessed by the sources that watched the job — and behind every one, a prompt you can use tonight.
You might start by checking email and your CMS (content system) for breaking items, then scan social media and wire feeds for leads. Expect to shoot video or photos on location, conduct one or two interviews, and transcribe or log those clips for editing.
Back at the office or at home, coordinate with an editor about angles, write or update the online story and captions, add images or B-roll in Adobe Photoshop or After Effects if needed, and send the final files to the newsroom or remote transmitter.
Learn Adobe Photoshop and After Effects for image and basic motion editing — those directly change how your photos and short video pieces look. Editors expect clean images and simple animated titles when you file.
Also keep basic HTML for web posting and Microsoft Office (Word for scripts, Excel for tracking sources, Outlook for mail). Knowing how to save and send files, and using Excel to log interviews, is used every day.
The U.S. Bureau of Labor Statistics (BLS) reports median pay and employment for this field. BLS (2025) shows about 39,250 employed, a median wage of $62,200 per year, lowest tenth $36,240, and top tenth $144,140.
Pay varies a lot by outlet, region, and freelance vs staff. Local outlets pay near the lower percentiles; national or specialty outlets and experienced investigative journalists reach the higher percentiles.
Use AI to summarize interviews, generate transcription drafts, or suggest headlines, but always verify facts and quotes against original sources. AI can invent details (hallucinate) so double-check names, dates, and technical claims before publishing.
Mark any AI-assisted text internally and never present AI-generated quotes as direct interview quotes. Keep a copy of the original audio or notes for editors and possible fact-checking.
A film journalist reports news: production updates, industry business, or on-set incidents. You investigate, photograph or videotape events, and file factual pieces that can update over time.
A film critic writes opinions and reviews, giving recommendation and analysis. PR people promote films and work for studios; they do not investigate or aim for independent reporting.
Clear interviewing and writing skills are key: you must gather facts, ask follow-ups, and turn that into short, accurate web copy. Transcription speed and clear note-taking help you file quickly.
Technical skills matter too: basic camera operation, knowing Adobe Photoshop/After Effects for visuals, and using Excel or Outlook to manage sources and deadlines. Being adaptable on set and able to update stories fast is essential.
Start creating short video packages: shoot a two- to three-minute report with photos, an interview, and a short written piece. Edit visuals in Adobe Premiere or After Effects and prepare a web-ready HTML post or PDF of the story.
Study journalism basics (reporting, ethics), practice transcription and interview technique, and learn Microsoft Office for pitching and tracking. Send these samples to local outlets, internships, or freelance platforms; real clips matter more than degrees.