The four heights
The same task, four distances: today's deadline, the next reviewer, the stuck moment, the pattern.
Execute — do the immediate task
+This interview is underexposed across the whole cut. Raise overall exposure by 0.35 stops and lift…
Execute — do the immediate task
+This interview is underexposed across the whole cut. Raise overall exposure by 0.35 stops and lift midtones by 12% for the 00:10–01:20 range. After adjusting, play the first 20 seconds and the last 20 seconds to ensure the highlights don’t clip and the background retains depth. Deliver before 5pm Thursday.
Pasted it? When the reply comes back, push once: ask it to sharpen the weakest part. — Did this prompt help?
Improve — make it easier to accept
+Before I hand this to the client, make it easy to approve: insert a before-and-after clip at the…
Improve — make it easier to accept
+Before I hand this to the client, make it easy to approve: insert a before-and-after clip at the top showing the original and the brightened version, annotate where shadow detail was recovered, and flag any shots where brightening introduces noise. Suggest one alternate setting if noise becomes visible.
Pasted it? When the reply comes back, push once: ask it to sharpen the weakest part. — Did this prompt help?
Decide — diagnose the stuck moment
+I increased brightness to lift the host out of shadow, and now the background grain and room noise…
Decide — diagnose the stuck moment
+I brightened the clip and now the background noise jumps out.
I increased brightness to lift the host out of shadow, and now the background grain and room noise are much more visible. The producer wants a clean look for the 6pm publish. I can either dial brightness back and accept a darker host or run a denoise that might soften detail. What’s the best trade-off for broadcast feel and how do I preview it fast?
Pasted it? When the reply comes back, push once: ask it to sharpen the weakest part. — Did this prompt help?
Become — change the pattern
+Across several videos I brighten faces late in the edit and then spend hours denoising or…
Become — change the pattern
+I repeatedly brighten clips and then waste time fixing noise afterwards.
Across several videos I brighten faces late in the edit and then spend hours denoising or regrading. That costs time and frustrates the team before deadlines. Where should I change my workflow—on-set exposure habits, a grading preset, or a quick noise check—and which one habit will save the most rework?
Pasted it? When the reply comes back, push once: ask it to sharpen the weakest part. — Did this prompt help?
Next to this one
Other short-video platform work people do in TikTok.
Every task here came from the work, not from a feature list — which is why the prompts name what you want done and never the button that does it. The tool changes; the work does not.
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The rest of the map
Same library, five ways in.