20 tasks, each one witnessed by the sources that watched the job — and behind every one, a prompt you can use tonight.
You arrive early to fit up sound on stage: check speaker placement, mic stands, and perform a line check (test each microphone and instrument). You operate an audio mixing console during soundcheck to set levels and EQ, then regulate volume and sound quality during the show.
After the event you tear down equipment, keep logs of recordings and settings, and make routine repairs or flag gear for maintenance. You often use Microsoft Excel or similar to track inventories and notes; some venues run macOS or Linux for playback and show files.
Learn common digital mixing consoles (Yamaha CL/QL, Allen & Heath dLive, SSL Live) and the basics of audio I/O and routing. Also get comfortable with macOS for playback tools (Logic Pro, MainStage) and Linux or Windows for show servers.
Know how to export/import settings, use MIDI for show control, and convert audio/video to digital formats. Familiarity with Microsoft Office and Excel helps for logs, rider notes, and inventory sheets.
According to the U.S. Bureau of Labor Statistics (BLS, 2025), there were about 13,080 employed FOH/audio engineers. The median annual wage is $73,130. The lowest 10% earned around $37,570 and the highest 10% earned about $137,370.
Pay varies by venue, touring status, and union membership. Local clubs often pay less; touring with big acts or long-term theatre runs typically pays more and may include per diems and guarantees.
Use AI for tasks like noise reduction, dialogue clean-up, or generating MIDI parts, but always keep the original stems and logs. Label every AI-processed file clearly and keep the pre-AI version in your project folder for safety and quality checks.
Respect copyright: do not use AI to recreate a protected artist’s performance for release without licenses. For live shows, test AI processing off-line first; never rely on untested AI plugins during a live set.
FOH engineers mix the sound that the audience hears, focusing on overall balance, venue acoustics, and speaker system design. Monitor engineers mix what performers hear on stage (in-ears or wedges), which requires different cue management and more individual mixes.
Recording engineers focus on capturing and logging recordings, setting mic placement and levels for postproduction. FOH may record the show and keep logs, but their primary goal is the live audience mix, not the multitrack recording.
Show you can operate an audio mixing console: gain structure, EQ, basic compression, routing, and scene recall. Demonstrate converting audio to digital formats, synchronizing dialogue or samples with action, and making quick repairs like swapping cables or replacing a microphone.
Explain how you design a sound system for a small venue: speaker placement, delay settings, and safety (working at heights, PPE). Mention software you know (macOS playback tools, Excel for logs, AutoCAD if you've helped with system layouts).