The four heights
The same task, four distances: today's deadline, the next reviewer, the stuck moment, the pattern.
Execute — do the immediate task
+Balance the mix so the VO sits at -6 LUFS relative to the music. Reduce the background track by 6…
Execute — do the immediate task
+Balance the mix so the VO sits at -6 LUFS relative to the music. Reduce the background track by 6 dB during speech-heavy sections and raise ambient SFX by 2 dB in the montage at 0:28–0:42. Listen on phone speaker and headphones to confirm dialogue is clear, then export an MP4 for review by 5pm.
Pasted it? When the reply comes back, push once: ask it to sharpen the weakest part. — Did this prompt help?
Improve — make it easier to accept
+Before I send this to the client, make volume adjustments obvious: create two reference mixes…
Improve — make it easier to accept
+Before I send this to the client, make volume adjustments obvious: create two reference mixes labeled ‘VO-forward’ and ‘Music-forward’, list the exact dB changes applied to each track, and include two short exports—one mastered for mobile speakers and one for headphones—so the client can hear the trade-offs quickly.
Pasted it? When the reply comes back, push once: ask it to sharpen the weakest part. — Did this prompt help?
Decide — diagnose the stuck moment
+The client flagged that dialogue disappears on phones even though it sounds fine on studio…
Decide — diagnose the stuck moment
+client says VO is too quiet on phones.
The client flagged that dialogue disappears on phones even though it sounds fine on studio monitors. The client is Alex, targeting primarily Instagram viewers. I’m worried my master is over-loud in the music bands. What adjustments should I make to ensure clarity on small speakers without losing overall punch, and what quick test will prove it works?
Pasted it? When the reply comes back, push once: ask it to sharpen the weakest part. — Did this prompt help?
Become — change the pattern
+Every project needs extra rounds because mixes that sound balanced on our monitors fail on phones…
Become — change the pattern
+mixing for phones and platforms keeps causing revisions.
Every project needs extra rounds because mixes that sound balanced on our monitors fail on phones or in-app players. What routine or tool should we adopt so the first mix translates reliably across common playback devices — recommend target LUFS, a mobile listening check, and a simple export set that covers typical social platforms.
Pasted it? When the reply comes back, push once: ask it to sharpen the weakest part. — Did this prompt help?
Next to this one
Other mobile video editing work people do in CapCut.
Every task here came from the work, not from a feature list — which is why the prompts name what you want done and never the button that does it. The tool changes; the work does not.
Copyright © LLOS.ai · 2026 — original pedagogy, voice, and design — all rights reserved.
The rest of the map
Same library, five ways in.