Edit and retouch portraits

Edit and retouch portraits in Adobe Photoshop — with the four heights of help laid out: do it now, make it easier for the next person to accept, work out the right move when you are stuck, and learn the pattern so it stops coming back.

4prompt heights
Open it in the interactive atlas →

The four heights

The same task, four distances: today's deadline, the next reviewer, the stuck moment, the pattern.

Execute — do the immediate task

+
I have a client shoot: eight headshots for the marketing director due Friday. Send the cleaned,…
I have a client shoot: eight headshots for the marketing director due Friday. Send the cleaned, color-corrected portraits to Mike in marketing and to Jenna in talent for approval, with Mike first for selection and Jenna only after Mike picks the four to keep. Before sending, check that skin tones match across the set, remove stray hairs, and ensure each image is 300 dpi and cropped to 8x10 with a 0.25-inch bleed.

Improve — make it easier to accept

+
Before I hand these portraits to marketing, make them impossible to reject: pull the main subject…
Before I hand these portraits to marketing, make them impossible to reject: pull the main subject slightly forward in light and sharpness, tame shine without flattening texture, and balance skin tone across the set so the four finalists read as a coherent group. Call out any faces that need more shooting or that will look inconsistent on the website.

Decide — diagnose the stuck moment

+
We just sent four finalists to Mike in marketing and he replied that one is 'too soft' but didn't…

Client picked four headshots but said 'one looks too soft' and won't say which.

We just sent four finalists to Mike in marketing and he replied that one is 'too soft' but didn't say which. I fear he'll ask for a reshoot and blame me for lack of focus. I can't tell if it's lens softness, motion blur, or an editing choice. What's the most likely cause to check quickly, and what do I send Mike now to keep approval moving?

Become — change the pattern

+
Over the last six months I keep losing time matching skin tones and sharpening consistently across…

Spending extra hours matching skin and tone across shoots.

Over the last six months I keep losing time matching skin tones and sharpening consistently across groups of portraits, and stakeholders keep asking for 'more pop' after approval. What editing habit or checklist should I change so final sets are consistent, quicker to deliver, and harder for marketing to nitpick?

Next to this one

Other image editing work people do in Adobe Photoshop.

Every task here came from the work, not from a feature list — which is why the prompts name what you want done and never the button that does it. The tool changes; the work does not.
Copyright © LLOS.ai · 2026 — original pedagogy, voice, and design — all rights reserved.

The rest of the map

Same library, five ways in.