Import and export EDL/AAF/XML

Import and export EDL/AAF/XML in Adobe Premiere Pro — with the four heights of help laid out: do it now, make it easier for the next person to accept, work out the right move when you are stuck, and learn the pattern so it stops coming back.

4prompt heights
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The four heights

The same task, four distances: today's deadline, the next reviewer, the stuck moment, the pattern.

Execute — do the immediate task

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I need to hand the sequence to sound in an AAF. Export an AAF of the timeline DOCUMENTARY_SEQ with…
I need to hand the sequence to sound in an AAF. Export an AAF of the timeline DOCUMENTARY_SEQ with handles of 2 seconds, include stereo mixes and all media references, consolidate audio to 48k, and place the AAF and a track sheet in the deliverables folder. Double-check that clips with effects are rendered to new files and that mute states match the timeline.

Improve — make it easier to accept

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Before sending audio to the mix house, make the export easier to ingest. Produce both an AAF and an…
Before sending audio to the mix house, make the export easier to ingest. Produce both an AAF and an XML, include a CSV track sheet listing source files, speaker names, and timecode ranges, mark any clips with offline media or nested sequences, and note where retimes or speed changes exist so the mixer doesn’t chase ghosts.

Decide — diagnose the stuck moment

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I exported an AAF for the mix and the facility reports missing files and mismatched timecodes. The…

The AAF failed to relink at the studio.

I exported an AAF for the mix and the facility reports missing files and mismatched timecodes. The producer is waiting on their invoice. I’m not sure if I consolidated incorrectly, used unsupported plugins, or exported the wrong sequence. What is the likely culprit and what immediate steps get them what they need fastest?

Become — change the pattern

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Across projects we waste hours on AAF/XML imports—missing media, ignored retimes, and tracks…

Each handoff to post sound ends in confusion over files and retimes.

Across projects we waste hours on AAF/XML imports—missing media, ignored retimes, and tracks renamed differently at the house. It undermines our reputation and costs mix days. What checklist, naming convention, and export settings habit should I adopt so every AAF/XML handoff works first time?

Next to this one

Other video editing work people do in Adobe Premiere Pro.

Every task here came from the work, not from a feature list — which is why the prompts name what you want done and never the button that does it. The tool changes; the work does not.
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The rest of the map

Same library, five ways in.