Key out green screen footage

I need the green-screened interview clip keyed and cleaned for color correction. Pull Raquel_takes_03 from the project, apply a chroma key so her edges are clean against the B-roll plate, remove spill on her hair and left shoulder, and render a high-quality ProRes master into Deliverables/Keys by Thursday so Graciela can start grading.

Before I hand this keyed clip to Graciela, make the foreground read on the plate. Push the matte so her hair and eyeglass rims stay natural, add a subtle edge blur if the key looks harsh, and show me a split-screen frame with original, raw key, and final keyed frame so I can justify any extra masking to the client.

I just ran a chroma key on Raquel_takes_03 and there’s a thin green rim on her forehead and flyaway hair. Graciela will grade it tomorrow and the director expects a clean pull. I’m afraid aggressive matte cleanup will soften the hair and look fake. What’s the likeliest fix that keeps hair texture and removes spill, and what should I warn Graciela about in a one-sentence note?

Every time I hand keyed footage to color, I get notes about residual spill and over-smoothed hair that force regrading. Where am I consistently failing in the keying handoff, and what three habits change will reduce rework and keep the grade intact?