Import footage and media

Import footage and media in Adobe Premiere Pro — with the four heights of help laid out: do it now, make it easier for the next person to accept, work out the right move when you are stuck, and learn the pattern so it stops coming back.

4prompt heights
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The four heights

The same task, four distances: today's deadline, the next reviewer, the stuck moment, the pattern.

Execute — do the immediate task

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I have a hard drive full of this week’s shoots — two A7S3 cards, interview audio from Jonas, and…
I have a hard drive full of this week’s shoots — two A7S3 cards, interview audio from Jonas, and B-roll from Tuesday’s location. Import everything into a new project folder named ‘Kemp Promo April 21’, keep camera folders intact, create subfolders for Audio, Graphics, and Proxies, and verify the interview clips link to Jonas’s WAV files before closing the project. Deadline: end of day Thursday.

Improve — make it easier to accept

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Before I import, make it easy for the producer to spot what's usable — surface clip duration,…
Before I import, make it easy for the producer to spot what's usable — surface clip duration, camera, framerate, and whether the clip has matching audio. Put interview takes and their WAV files side-by-side, tag selects with a green label, and flag any corrupted files or missing audio that would slow the cut.

Decide — diagnose the stuck moment

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I just tried importing the A7S3 folder and several interview WAVs from Jonas didn’t relink to their…

I dragged the card folder in and some interview WAVs didn’t relink.

I just tried importing the A7S3 folder and several interview WAVs from Jonas didn’t relink to their clips. The producers are waiting for a rough cut on Friday and I don’t know if the WAVs were misnamed or recorded separately. What’s the most likely cause and what should I do now to avoid losing sync or delaying the cut?

Become — change the pattern

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Across projects I keep losing time at import: inconsistent file naming, missing camera audio, and…

Every project starts with a messy import that eats hours.

Across projects I keep losing time at import: inconsistent file naming, missing camera audio, and messy folder structures that force me to rebuild bins every time. What practical habits should I adopt at the shoot and at intake to make imports predictable, save two hours per project, and stop surprising the producer before the rough?

Next to this one

Other video editing work people do in Adobe Premiere Pro.

Every task here came from the work, not from a feature list — which is why the prompts name what you want done and never the button that does it. The tool changes; the work does not.
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