20 tasks, each one witnessed by the sources that watched the job — and behind every one, a prompt you can use tonight.
You usually start before the venue opens: unload and inventory lighting gear, check power distribution, and hang or focus fixtures. That covers setup, rigging, and powering equipment from the tasks list.
Later you program lighting cues on the console (program and operate lighting control devices), run a full tech rehearsal with the lighting designer, and call cues during the live show. After the event you de-rig electronic equipment, maintain dimmers, and stow gear for the next job.
Expect actual systems like lighting consoles and a few support tools: Microsoft Excel and Outlook for schedules and equipment lists, Microsoft Project for planning load-ins, and AutoCAD for reading hang plots. The job description also lists PLCs and Rockwell RSLogix where automated rigging or venue power control exists.
You may use SAP Maintenance for tracking repairs and inventory. Learn console-specific software (e.g., ETC, MA, or GrandMA) in addition to these general systems.
The U.S. Bureau of Labor Statistics (BLS) reports about 8,900 employed lighting technicians. Median pay is $68,060 per year; the lowest tenth is $42,310 and the top tenth is $130,760 (BLS).
Pay varies by venue, touring vs. local work, union membership, and overtime or per-show rates. These BLS numbers give the overall range.
No. A lighting designer creates the artistic plan (colors, images, moods). A lighting technician implements that plan: you rig, focus, install color gobos/image patterns, manage power, program the console, and call cues.
A stage electrician overlaps with the technician on wiring and maintaining dimmers and preventing fires, but electricians focus more on venue wiring and code compliance. Technicians bridge art and practical systems.
Yes, AI can help draft cue sheets, generate equipment checklists, or convert a hang plot into an equipment list, but always verify. Use Outlook or Excel outputs and double-check AI-generated numbers against physical inventory and AutoCAD hang plots.
Never let AI touch live console programming or automated PLC controls without human verification — errors in power distribution or cue timing can cause safety risks. Use AI as an assistant, not an operator.
Power distribution assessment and managing power are crucial: know how to read amperage, load a dimmer rack, and prevent overloads. That reduces technical problems and fire risk in performances.
Also practice focusing and hanging lights, programming and operating control devices, and using PPE. Being able to communicate clearly with the lighting designer and call cues cleanly during shows matters just as much as technical skills.